Essay about Travels of a T-Shirt Review - 1592 Words

Travels of a t-shirt in a global economy In her book, The Travels of a T-shirt in the Global Economy, Pietra Rivoli takes on the intricacies and complexities of trade and globalization through following the path of a T-Shirt she purchased from Walgreens for $5.99. It is a very informative book and her writing is such that the reader is left feeling both well informed on the issues discussed, as well as entertained. Rivoli breaks up the book into 4 sections. In Part I, â€Å"King Cotton,† we are brought to an area in West Texas, an area that boasts to be home to much of the world’s cotton. In fact, the main city, Lubbock, calls itself the â€Å"cottonest city† in the world (Rivoli 3). Cotton, it would seem, has a very sordid past. â€Å"The worlds†¦show more content†¦I think it also works to undo the notions that China was stealing away all our jobs in the apparel arena, because despite the complex protectionist measures taken, America still lost lots o f jobs in the textile industry. The author points out that this is because of technology, and that when it really comes down to it, China is losing their textile jobs at a rate faster than the U.S. did (142). She also goes over some of the unintended consequences of the measures such as increased material costs as a result of the increased import barrier (142). She also suggests in this section as an alternative to erecting trade barriers, to instead compensate workers of the losing industries, known as the compensation principle (151). Lastly, with the lift of the measures and quotas by 2005, there will be a new surge in Chinese goods to America, as illustrated in figure 9.1, page 167. China’s percent increase after release from the quotas will measure some 900%. Finally is Part IV of the book, â€Å"My T-shirt Finally Encounters a Free Market.† This section deals with what happens to the clothes after they are discarded, usually through donation to Goodwill or The Sa lvation Army. In fact, American donations to these kinds of organizations have increased so much that they have begun exporting the recycled clothing, â€Å"nearly 7 billion pounds† (Rivoli 176), to other countries. The recycled industry has actually created jobs in Africa as America’s old clothes areShow MoreRelatedEssay on Movie Review of Tshirt Travels1297 Words   |  6 PagesAmrit Kulasekaran Professor Kornelly Nov 26 2012 Anthropology 101 Salaula: Charity or Exploitation The documentary â€Å"T Shirt travels† follows a young Zambian named Luka through his daily life as a second hand clothes seller. We are taken on a journey through the struggles and issues from both a micro and macro level. We learn about issues facing the country as a whole such as rampant poverty, to an economy destroyed by slavery and further setback due to larger nations dictating economic policyRead MoreInformative Speech About Travelling805 Words   |  4 PagesDo you like to travel? I love traveling a lot, I love to see new places, meet new people, learn new things, and try new food. I even like when travelling is difficult because through challenging time people develop new skills. II. Reveal Topic and Relate to Audience: Dr. Alexander Mozgovoy, a sociologist, claims that traveling has a relaxation effect, promotes personal development, promotes creative realization, and even changes social behavior of a person. III. Establish Credibility:Read MoreThe On The New York Times983 Words   |  4 PagesContinue reading the main storyShare This Page Share Tweet Email More Save A 19-year-old Ohio man serving life in prison for killing three students in a high school cafeteria in 2012 briefly escaped from prison on Thursday, the authorities said. The man, T. J. Lane, who was serving three life sentences for the murders, escaped with two other inmates from the Allen Oakwood Correctional Institution in Lima, Ohio, said Sgt. Andy Green of the Lima Police Department. 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He attempts the dangerous journey eight times before he succeeds. During his first seven attempts, he is severely beaten, robbed, and humiliated. However, he never gives up. The struggle that Enrique and other immigrant make to reach el norte is harder than anyone can expect. Discussion: To travel north, Enrique, like otherRead MoreThe Concept Of Zero Search Costs Or Contact Costs1064 Words   |  5 Pagesfind information faster and easier. Some websites enable consumers to generate a side by side comparison of different products, so that they can make an educated decision to purchase a product or service. On top of that, consumers can benefit from reviews and ratings from other customers with the purpose of learning about the experiences of others. As a result, consumers can also save time and money by using the internet as way to find information and make purchases. Also, consumers can be benefitedRead MoreTsunamis: How Oregon Can Better Prepare for Cascadia Essay1295 Words   |  6 Pageslike T-shirt sizes; S, M, L, XL, XXL, and two extreme tsunami events; magnitudes 8.7 and 9.2. The two extremes are the result of two studies done using simulations of tsunami inundation to create wide hypothetical Cascadia earthquake sources, one on the northern Oregon coast and one on the southern Oregon coast (Priest, 2012, 1). Great Cascadia earthquakes and tsunamis have occurred at least 19 times in the last 10,000 years on the Oregon coast. These 19 events were then ranked with a T-shirt sizeRead MoreThe Life of Paulo Coelho1274 Words   |  5 Pagesmaking money as a writer. Coelho followed the wishes of his parents and was accepted into a law school in 1970. However, he was unhappy with his parents’ wishes and decided to leave school to travel. While he was exploring the world, he took odd jobs to support himself. After he left his schooling career to travel, he met a rock star named Raul Seixas. The two of them became a pair and â€Å"composed 120 songs that revolutionized Brazilian rock music† (Sant Jordi Asociados Agencia Literaria). The two ofRead MoreMarketing Plan For Itsmetd Photography1481 Words   |  6 Pagesassumed business name: Denton County $24.00 †¢ Monthly Expenses o Merchant Services: Bank of America $9.95/month x 12 months=$119.40 o Software: Adobe Creative Cloud $10.81x12 = $129.72 o Internet: ATT $72.00x12 = $864.00 o Phone service: ATT $45.00x12 = $540 †¢ Start up Inventory o Promotional t-shirts: Graphixworx $238.00 o Promotional Totes: Epromos $180.04 o Camera and equipment: Adorama $1399.00 †¢ Total Start-up costs $4388.21 B. Sales Forecast Projected sales are estimated at one engagementRead MoreDress Code : Standards And Procedures1484 Words   |  6 Pagesthat meets the following guidelines is acceptable. Acceptable for men: Dress slacks or casual pants. Shirts with collars, turtlenecks, sweaters. Acceptable for women: Dresses, skirts, slacks, pants, blouses, sweaters. Unacceptable for both men and women: Athletic shoes, work boots, beach shoes, flip flops, bare feet. Shorts, leggings, stretch pants, stirrups, sweatpants/sweatshirts, T shirts, shorts, and or similar items or athletic wear. Compliance - Supervisors and Managers are responsible

Analysis Of George Orwells Animal Farm - 1142 Words

â€Å"Those who do not remember the past are condemned to repeat it,† said Spanish philosopher George Santayana. This brilliant message shows to be present in George Orwell’s satirical novel Animal Farm. In this book, Orwell uses farm animals to illustrate the true nature of the communist Soviet Union under Joseph Stalin. There are many examples in this book and in real life that show the truth of aforementioned Santayana’s statement, for if one does not remember the past, they are only allowing it to repeat. Therefore, learning from the past is an effective way to prevent future mistakes because not doing so has significant repercussions, there are instances of the method working, and it can prepare us for the future. Firstly, not looking†¦show more content†¦He sent troops into Russia in 1941, expecting a quick and easy victory (Defense Media Network), but weeks of fighting quickly turned into months, and the Russian winter was upon them. However, the troops did not retreat. Ultimately, some froze to death. If Hitler had looked to the past to Bonaparte’s decisions, he might have realized that retreat was necessary for future victories, but he did not. Thus, he paid a heavy price in frozen troops and artillery for not looking back to the past. Secondly, learning from past mistakes shows to actually be an effective method. While there are no instances of this in Animal Farm, there are plenty of examples that can be drawn from real life. There have been studies that show that us learning from our past mistakes is a psychological way of learning (Psychology Today), for it is a large part of trial-and-error. Trial-and-error is described as â€Å"a finding out of the best way to reach a desired result or a correct solution by trying out one or more ways or means and by noting and eliminating errors or causes of failure† by Merriam-Websters Dictionary. This learning method was exercised by early humans to the fullest extent. Scientific Development and Misconceptions Through the Ages: A Reference Guide, an informative book on scientific development, states that, Through process of trial and error and observing what animals ate, some berries were grouped as poisonous or not good to eat (Krebs 105). This refers to how early humansShow MoreRelatedAnalysis Of George Orwells Animal Farm701 Words   |  3 Pageswith what he was told. George Orwell’s Animal Farm is about Manor Farm that is seized by its maltreated animals that set up their own government in the now renamed â€Å"Animal Farm†. There are many animals on this farm, including Benjamin, a donkey who is quite old, Clover, a horse who is not very bright, and the two main leaders, pigs named Napoleon and Snowball. Napoleon and Snowball create this new government with seven commandments, the last commandant being that â€Å"All animals are equal†. But when NapoleonRead MoreAnalysis Of George Orwells Animal Farm921 Words   |  4 Pagesover topics such as life or government. When George Orwell wrote his book Animal Farm, it sparked lots of controversy over government. The book was written as a satire to mock the communist regime that was installed after the Russian Revolution. The book does not directly say it is about the revo lution but is almost the same tale. George Orwell used subtle ways such as symbolism and anthropomorphism to represent history in a different way. In Animal Farm, just about every aspect could be used to representRead MoreAnalysis Of George Orwells Animal Farm1079 Words   |  5 PagesEvery Animal for Himself â€Å"By striving to do the impossible, man has always achieved what is possible. Those who have cautiously done no more than they believed possible have never taken a single step forward.† -Mikhail Bakunin. This quote sums up what the author of the book Animal Farm was trying to convey.   Animal Farm is an allegory of the Russian Revolution. Each character in the book portrays someone who played a part in the revolution. In the book, the author, George Orwell, proves that changeRead MoreAnalysis Of George Orwells Animal Farm1711 Words   |  7 Pages1A. Mr. Jones is a significant character because his actions and bad deeds provoked the animal rebellion, similarly to how Tsar Nicholas II ignorance led his abdication, ending the Romanov rule and replacing it with the new Bolshevik government (Krieger 185). Moreover, in the story, the animals replaced what used to be â€Å"Manor Farm† to â€Å"Animal Farm†, and Orwell does this to resemble the transformation of Russia’s government. There are other events in the story that parallel the true events that resembleRead MoreAnalysis Of George Orwells Animal Farm756 Words   |  4 Pages No animal in England is free. The life of an animal is misery and slavery: that is the plain truth. These are the words of George Orwell explaining the imprisonment of communism in his allegory Animal Farm. He tells the story of differences between presentation and actuality in his book. Orwell shows the importance of how people will not rebel if there is an illusion of freedom. In the book, the pigs, who were the leaders of the farm, gives an illusion of freedom by gradually changingRead MoreCharacter Analysis Of George Orwells Animal Farm748 Words   |  3 PagesFight me! Animals have grown to understand humans and be like humans, until they learn to fight back, and keep the idea that they’re free, and then slowly morph back into the ways it used to be when humans were in charge. Analogies about animal farm can range from, the students connecting the book to the bible, government today, passed wars, or even more, because this book was different for everyone. Animal farm is a very simple book at first, but once a person starts to talk about it, itRead MoreCharacter Analysis Of George Orwells Animal Farm923 Words   |  4 PagesAnimal Farm Character Analysis Essay â€Å"Old major†¦ was so highly regarded on the farm that everyone was quite ready to lose an hour’s sleep in order to hear what he had to say† (Orwell 1). The author, George Orwell, portrayed Old Major as the wisest of all the animals on the farm, and without being said, Major was a big part of Animal Farm. In fact, he influenced the lives of all the animals with just one speech. On the day of this speech, Major taught all the animals his wise ideas in a kind supportingRead MoreHow Is Marxism Portrayed in Animal Farm by George Orwell? Essay1369 Words   |  6 PagesHow is Marxism portrayed throughout ‘Animal Farm’ by George Orwell? The main aim of Marxism is to bring about a classless society, and ‘Animal Farm’ is generally considered to be a Marxist novel, as all its characters share a similar ambition at the beginning. ‘Animal Farm’ represents an example of the oppressed masses rising up to form their own classless society, whilst offering a subtle critique on Stalin’s Soviet Russia, and communism in general. Orwell is, ironically, revolutionary in hisRead MoreAnalysis Of George Orwell And Animal Farm Essay2095 Words   |  9 PagesSharon Pittman HUM 314 13 December 2016 George Orwell and Animal Farm: The Provocative Written Word in Political Protest INTRODUCTION AND THESIS Many writers, artists, novelists, journalists, and the sort seek to bring awareness to political and cultural issues through their work. It is not often, though, that their work attains such critically acclaimed status and subsequently creates a platform by which people are moved to respond to the writing’s purpose. George Orwell, however, had a knack for thisRead MoreHow Has George Orwell Used Animal Farm to Present His View of Human Nature?789 Words   |  4 PagesGeorge Orwell’s Animal Farm is a satirical allegory through which he presents his cynical view of human nature. He uses the animal fable effectively to expose the issues of injustice, exploitation and inequality in human society. Orwell uses the allegory, Animal Farm, to present the story of The Russian Revolution and essentially express his opinions on the matter. By plainly exposing the unjust and corrupt system that is communism, Orwell is ultimately presenting his pessimistic view of human

Architecture free essay sample

Despite the clarity of the Losss definition, this contemporary question has a persistent quality that Is usually noticed In Its occlusion. In other words, the extent to which the link Is denied and architecture Is seen as no more than building and thus thought in terms of a differentiation of the economic from the cultural suggests that the possibility of architectures relation to culture is a question whose acuity cannot be readily escaped. What then is architectures relation to culture?In purely strategic terms, the question is relevant, since policy usually in terms of overspent policy and even architectural criticism often uses straightforwardly economic criteria to make decisions or draw conclusions. Approaching architecture as an Industry, while apposite In certain Instances, falls to allow for the role of the architectural in forming part of a nations, or a communitys, culture. Yet, it is clear that the presence of architecture in the daily lives of citizens underscores its inalienable cultural presence. We will write a custom essay sample on Architecture or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page The task in this essay is to address this presence and to draw conclusions that might have relevance for policy directed decisions, as well s evaluative ones. This essay was prompted by the refusal of public money to the Australian pavilion at the recent Venice Biennial, but more Importantly, by the need to engage with the Issues that such a refusal raises. For the most part, these Issues do not pertain to the relative strength or weakness of Australian architecture, but rather to the way in which it defines itself.Architecture in this country does not define itself in any singular way, however, there is a prevailing perception. To counter that perception is to reopen the need to link architecture to the wider world of policy policy other than simple planning regulations and this involves reopening the question of architectures relation to culture. This essay uses culture In two senses. One relates to activities that are often understood as specific to architecture. The other is inextricably connected to the realm of human existence and demarcates the ways in which human life differentiates itself from nature.Taken in isolation each is potentially problematic holding to the exclusivity of the culture of architecture denies its presence as part of human society, while thinking of architecture as thing other than cultural precludes any consideration of, for example, the way different materials realize different effects within architectural practice. What matters is the way concerns of one understanding can perhaps should intrude into the other. Recognizing that these two different senses of culture are interrelated can provide a way through this complex set of considerations.Insisting this interrelation introduces another defining element into the equation. Indeed, it marks the point of relation: the public. Architecture is essentially public. This Is hardly a intermissions with the refusal of its consequences. A choice emerges. Architecture can define its sphere of operation as the construction of objects that are understood as only ever private, and which thus only open up the already circumscribed worlds of individual activity for example, the house. Or architecture can insist on its inherently public nature.Emphasizing the public does not mean that the construction of the house is, in some sense, a denial of architecture. Rather, the argument is that architectures continual opening onto the world an opening which an have an important role in the construction of that world is one of the main ways to generate a nexus between the culture of architecture and the inherently public nature of human sociality. The distinction between these two positions opening in or opening out is not a distinction between architecture as an academic activity on the one hand and as a worldly activity on the other.Instead, different conceptions of practice are at work here in both instances there can be a championing of materials over programmer; in both, a concern with the environmental consequences f building can be paramount; equally, issues pertaining to sustainability can drive each of them. Yet the distinction is crucial. It involves the extent to which there is an affirmation with all the difficulties and complexities that this term brings of the inherently public nature of architecture. OPENING IN.Architecture can be described as opening in when it defines itself as an activity of construction for individuals to suit individual needs. In working from the outside in, space is created that reproduces the desires of clients the world takes on the veneer of the private. This s a conception of the private in which the individual either singularly or as a unit has primacy. Moreover this generates a conception of the public as a collection of individuals all of whom aspire to create their own private world, which is the locus where their own unique desires are satisfied.Architecture begins to define itself in these terms when this conception of practice and world creation becomes the basis for future discussions and evaluations. Once the object is understood as having been created for the individual including a conception of the public as the totality f individuals it follows that architecture is the expression of personalities, and that the built object expresses the personality of the client. (Or at least that this would be the desired intent on both sides. Equally, because construction, understood in this ligh t, is always defined by a conception of individual taste, there cannot be a link to any conception of culture beyond the generalization of the individual. It is not difficult to imagine that once this is accepted as the definition of architecture and it is a self-definition that works at a range of different scales architecture will be inevitably understood as a series of produced (built, constructed, et cetera) objects that are created by individuals to serve individual ends.Since the public is always counterpoised to the individual and this is true even when the public is understood as the abstract presence of the totality of individuals architecture will be defined in terms of singular relations. The relation is will always be between architect and client, and architecture will remain enclosed within that relation. Once there is a turn towards the interior there is no need to think in terms of the registration of the exterior. Those elements at a minimum, the exterior to which architecture opens out pertain to culture understood as part of the public domain.The limit of this preoccupation of Australian architecture with domes tic housing only exacerbates the situation. The insistence on the interior and the associated definition of architecture in terms of individual concerns and reciprocally as only of concern for individuals make it a simple matter to locate architecture as no more than an economic activity. In this framework the house would have a bespoke suit as its correlate. The refusal of he public is, of course, a position taken in relation to the inherently public nature of architecture.This not only establishes the limit of architectures self-definition in terms opening in; it also indicates that the culture of architecture is, from the start, traversed by the complex matter of culture. The already present place of culture needs to be noted. Here, it concerns the capacity for an object to stage a relation. This may seem an overly complex point, but it is not. Staging a relation is not Just the presence of programmer, nor is it Just the use of one combination of materials rather Han another. Staging is the way that the internationalization of a programmer and materials works to present a specific conception of the programmer in question. The differences, for example, between two museums are to be found in terms of what they stage. That is, the way the understanding of the programmer, the geometry proper to its realization, and the materials once combined yield the object. However, it is an object as a site of activity. The activity is the way the building stages its presence. Two things need to be noted here. The first is that staging is integral to the way an object works as architecture. The second is that programmer, geometry, and the use of materials have both a historical and cultural dimension. This means that staging necessarily inscribes the architectural object with broader cultural considerations. Opening in, therefore, becomes an attempt to avoid defining architecture in terms of this inscription of wider public concerns. The counter position opening out becomes the way of acknowledging the presence of staging and of allowing this acknowledgment to play a pivotal role in establishing a definition of architecture.OPENING OUT. The move to the outside allowing the external to be stirred internally and the internal to have an external registration allows us to insist on the public nature of architecture precisely because here the two senses of culture interact. This is not a question of the house versus the public building. Rather, this particular definition provides the basis for more generalized understanding of architecture. It is important to note, however, that the culture that is registered is neither unified nor benign.Indeed, the interplay of dominance and opposition is fundamental to its schismatic and agnostic nature. This opens an area of discussion that cannot be pursued in this context. However, it indicates, nonetheless, that the registration of external elements will not be the registration of a unified culture precisely because the culture in question is not grounded in any sense of unity other than that of simple dominance or the identification with the totality of a culture with its most conservative instance, for example the identification of a culture with the national.This emphasis on the explicit acknowledgement of architectures public nature, and on architecture as staging, does not mean that henceforth architecture has to be either utilitarian that is merely functional or inst rumental or driven by some large social goal. Moreover, such an acknowledgment might be present in quite different ways. The complex surfaces of the Online example, opens up a potential urban field. This does not occur by locating the architecture on the surface, but by allowing the surface to help create a visual urbanism.What emerges, as a potential as well as what that is actually realized, are urban surfaces. The interest in the surface as evinced by Lyons and here there is an important affinity with some recent work by Herzog and De Neuron, in particular their library for the Brawled Polytechnic should be understood as coating the objects architecture as much in a sustained engagement with programmatic concerns, as it is in the construction of urban surfaces.The importance of the latter is that they take the creation of surfaces beyond any concern with the decorative. While a great deal has been written about ARMs National Museum of Australia (AMA) in Canberra, its singular importance lies in the specific way it stages a conception of the public and thus of community. While it enhances the site , to argue that a building complements Walter Burley Griffins mastering runs the risk of condemning it in advance. At the AMA identity becomes a site of endless negotiation and the symbols carry that positioning. Both work together to define the site. Rather than concentrate on the symbols per SE, what is fundamental is that they introduce a conception of time that is not determined by immediacy. The symbols stage a more complex and always-to-be-determined conception of identity. There is still a connection between symbols and what is symbolized. However, what needs to be noted is that it is hard to establish the link as definitive.Indeed, that is the point. The public nature of the architecture, and its democratic impulse, are mound in the symbolism because the work attests to the complex and cosmopolitan nature of the public. Lab architecture studios Federation Square is a fundamentally different project. But it demands, among other things, a reconsideration of how, within the urban context, figure/ground relations have to be recast in terms of figure/ figure relations.The inscription of an implicit urbanism into The Ian Potter Centre: ENG Australia, the construction of the squares themselves as explicitly urban, the complex relation that both have to the urbanism created by the intersections of the rid and the lanes and fed by public transport hubs, means that each element becomes an important figure constructing the urban terrain. While this does not occur literally, Federation Square develops both externally and internally (within the ENG itself) the urbanism of its setting, while demanding a rethinking if how interventions of th is scale within a pre-existing fabric are to be understood.The significance of these projects cannot be understood in terms of the image they project. In other words, it is not as though subsequent work be it a large scale project or a domestic house has to have a Lyons surface, or to deploy complex homeboys, or to mime fractal geometries. The fact that they are significant does not mean that they set the measure for what architecture has to look like. It is not a question of appearance.Rather, what has to occur is a process of abstraction where what characterizes them and it will always be the interplay of the strictly architectural and the cultural, one figuring in the other is allowed to set the framework in which architectures definition of itself can continue to develop. Affirming the presence of the cultural by noting the inalienability of the public, hill allowing both to have a complex and contested status allows architecture to the merely cultural, it goes without saying that such a position is necessarily contestable.Moreover, this inherent conceivability may result in the refusal of the interplay of cultures and therefore in the championing of the interdependence of the private and the economic. The victory of one over the other reveals an essential truth. Namely, that the presence of the conflict the inescapable hold of conceivability is the first step in any argument for the inherently cultural nature of the architectural.